Publications
Edited Volumes
2016 Intersecting Art and Technology in Practice: Techne/Technique/Technology. (co-edited by Camille Baker). Routledge.
Articles
2024 Live Notation for Patterns of Movement. The Drama Review (TDR) 68, no.1 (1 March 2024): 104–16. Cambridge.
2022 Live Coding Choreography with Terpsicode: Enabling agency for the human interpreter. eContact! Online Journal for Electroacoustic Practices. Issue 21.1
2022 Live Coding Choreography: Real-time Programming with Terpsicode. International Journal for Performance Arts with Digital Media. Taylor and Francis.
2020 History of Internet Performance. Dancegeist.
2018 Hacking the Body 2.0: dancing between commercial and DIY wearable technology. International Journal for Performance Arts with Digital Media. Routledge.
2017 Sound Choreography <> Body Code: Software Deployment and Notational Engagement Without Trace. Contemporary Theatre Review. Taylor and Francis.
2016 Editorial Live Coding Special Issue. International Journal for Performance Arts with Digital Media. Routledge.
2015 Data Management Part III: An Artistic Framework for Understanding Technology without Technology in Media N: Journal of the New Media Caucus.
2015 Dancing APIs. Hack Circus. Issue 5.
2014 Hacking Choreography: Dance and Live Coding. Computer Music Journal. Spring. 38(1). MIT Press.
2013 Choreotopology: Interrelationships in Movement, Screens and Live Performance. Leonardo Electronic Almanac 19(3). MIT Press.
2013 Students perceptions of collaborative learning in intermedia and performance arts. Learning Performance Quarterly 4(1). Sage Publications.
Book Chapters
2022 Expositions in Live Coding: A User's Manual. MIT Press.
2017 Critical Interventions in Wearable Tech, Smart Fashion & E-textiles in Art and Performance. Digital Bodies: Creativity and Technology in the Arts and Humanities. Palgrave MacMillan.
2016 Wearable Costumes. Wearable Recipes: Crafting Technology with Fashion. Apex.
2014 Coding Choreography: Twists in Language, Technology and Movement Torque 1: Mind Language Technology. Links Editions.
2013 Digital Performance. Observing Theatre: Spirituality and Subjectivity in Performing Arts. Rodopi.
2012 Hacking choreography beta v.02. On turtles and dragons and the dangerous quest for a media art notation system. Times Up Press.
Book Reviews
2012 Book Review. Journal of Gender Studies 21(3).
2008 Book Review. International Journal of Performance Arts with Digital Media 4(1)
Invited Talks
2023 Live Coding. Art&&Code. Carnegie Mellon, Pittsburgh PA USA
2023 International Conference on Live Coding, Utrecht, NL
2022 Tanz Messe International Dance Festival. Dusseldorf, DE. 3 Sept 2022. Online.
2022 International Conference on Live Interfaces 2022. Universidade Lusofona de Humanidades e Tecnologias. Lisbon, Portugal. 20-23 June 2022. Online.
2022 VCU Provost Lecture Series, Institute for Contemporary Art, Virginia Commonwealth University, Richmond, VA USA. 20 April 2022.
2021 Prototyping Interactive Dance Costumes. Worchester Polytechnic Institute. Online.
2020 Hacking Choreography: Dance Composition Through Live Coding. University of Toronto. Toronto, CAN.
2020 Algorithmic Choreography. Virginia Commonwealth University. Richmond VA, USA.
2020 Algorithmic Choreography. University of Edinburgh. Edinburgh, Scotland.
2020 t-SNE. Brown University. Providence, RI USA.
2019 Live Coding Visuals and Sound. Bard College. NY, USA
2019 Algorithmic Dance Composition Through Live Coding. Expo’74 (Max Conference), Mass MoCA USA
2019 LiveCodeLab, New York University, Brooklyn NY, USA
2018 Freakonomics Podcast, Joes Pub, New York City, NY, USA
2017 The Conference. Malmo SE
2017 Eyeo Festival. Walker Arts Center. Minneapolis, MN USA
2017 Resonate Festival. Belgrade RS
2017 Leaders in Software Art. New York, NY US
2016 Embodying Programming Paradigms. Institute for Music and Media. Dusseldorf DE
2016 Teaching Technology to Kids who Learn Differently. Creative Tech Week NYC. New York NY
2016 HTB2.0. MVR4. New York NY
2015 Non Traditional Paths into Technology. Women Who Code @ Harry’s. New York NY
2015 Dancing and Coding. Girls Who Code @ Accenture. New York NY
2015 Laban Movement Principles for UX Design. Fjord. New York NY
2015 Intro to Physical Computing. Women Who Code @ Huge. New York NY
2015 Hacking Choreography. School for Poetic Computation. New York NY
2015 Hacking Choreography. Babycastles. New York NY
2015 Physical Computing Workshop. Connecticut College. New London CT
2014 Live Coding Choreography. Node Code. Frankfurt DE
2014 Hacking the Body. Wearable Horizons. South Bank Centre, London UK
2014 Programmer as Choreographer: Coding, Hacking, Dancing. Scrambled Messages Workshop. Kings College, London UK
2014 Hacking Choreography 2.0 (with Nick Rothwell) EU Art ICT Connect, EU Commission, Brussels BE
2014 Choreotoplogy: Complex Space in Choroegraphy with Real Time Video. Real Time Visual Conference, Newcastle UK
2013 Being Interdisciplinary. UArts Multimedia Department. University of the Arts, Philadelphia US
2013 Hacking Choreography. Datarama at Pixel Palace, Newcastle UK
2013 Live Coding Choreography. Thursday Club (with Alex McLean). Goldsmiths University of London, London UK
2012 Hacking Choreography. Data Ecologies: The Map and the Territory. Times Up, Linz AT
2012 Real-time Video in Performance. Dorkbot Sheffield # 4, Sheffield UK
Conference Presentations
2023 Ogborn, D., Sicchio, K, et al ‘Collective Meanings and Ethical Responsibilities In Live Coding Choreography’. Canadian Communication Association Annual Meeting 2023. May 30-June 2, 2023. Online.
2022 LocoMotion: Live coding 3D Movement on the Web. The 8th International Conference on Movement and Computing Conference (MOCO ’22). Chicago, Illinois, USA.
2022 Towards A Framework for Dancing Beyond Demonstration. The 8th International Conference on Movement and Computing Conference (MOCO ’22). 22-24 June 2022. Chicago, Illinois, USA.
2021 Alignment of Rhythms in Live Coded Audio-Visual Performance. Synesthetic Syntax: Seeing Sound / Hearing Vision. Ars Electronica.
2021 Where does the improvisation of movement lie? Levels of agency in live coded choreography. The 6th International Conference on Live Coding.
2021 Live Coding Mama. Hybrid Live Coding Interfaces: Beyond the Screen.
2021 Church of Codie. Hybrid Live Coding Interfaces: Beyond the Screen. Sicchio, K., Loveless, M., and Hennsigh-Palmero, S.G.
2021 SloMoCo Art Lounge. Society for Literature, Science, and the Arts.
2021 Alignment of Rhythms in Live Coded Audio-Visual Performance. Synesthetic Syntax: Seeing Sound / Hearing Vision. Sicchio, K., Loveless, M., and Hennsigh-Palmero, S.G.
2021 JSoLangs: ephemeral esolangs in a collaborative live coding environment. CSDH/SCHN Digital Humanities Conference. Sicchio, K., Ogborne, D. and Littler, C.
2020 Alignment of Rhythms in Live Coded Audio-Visual Performance. Sound, Image and Interaction Design Symposium. Sicchio, K. Loveless, M., and Hennsigh-Palmero, S.G.
2020 Agency in Live Coded Choreography. Hybrid Live Coding Interfaces: performance and craft workshop.
2020 Terpsicode: Live Coding Choreography. The 5th International Conference on Live Coding, Limerick Ireland
2019 Programming paradigms for the human interpreter. The 4th International Conference on Live Coding, Madrid Spain.
2017 Layering Machine Learning and Choreography. Mixed Initiative Creative Interfaces Workshop. CHI 2017. Denver CO, USA
2016 Reflections on Live Coding Dance. International Conference on Live Coding. Hamilton, CAN
2016 HTB2.0 Flutter/Stutter. International Society of Electronic Arts ISEA2016, Hong Kong
2015 Stitch. Bitch. Make/Perform. Electronic Visualisation and the Art EVA, London UK
2013 Hacking the Body Workshop. International Society of Electronic Arts ISEA2013, Sydney AUS
2013 Hacking the Body Workshop. ACM Creativity and Cognition Conference, Sydney AUS
2011 Choreographing Topological Spaces within Dance Performance with Real-time Video. International Society of Electronic Arts ISEA2011, Istanbul Turkey
2010 Exploring the Software Programmer as Choreographer. Digital Resources in Humanities and the Arts Conference, London UK
2010 Beyond TV Spectacle – The Choreographic Craft of So You Think You Can Dance. Society of Dance History Scholars Annual Conference, London UK
2010 Frames within Frames within Frames: Real-time video in Live Performance Moves Festival, Liverpool UK
2009 Approaches to Teaching and Learning Real Time Video and Choreography. CORD Special Topics Conference: Global Perspectives on Dance Pedagogy, Leicester UK
2007 Systems and Content: A Choreological Investigation of Interactive Dance. (re)Actor2 International Conference, Leeds UK
2007 The Stage and the Screen: Choreographing the Balance Moves Screen Choreography Conference, Manchester UK
Podcasts
2021 Technology, Friend or Foe? Canada National Academy of Dance Educators. Oko, J.
2019 Podcast 263: Kate Sicchio. Art + Music + Tech. Grosse, D.
2018 Jesus Could Have Been a Pigeon. Freakonomics Radio Live, Joe’s Pub. Dubner, S. Duckworth. New York City, NY, USA.